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Anna
2019 1h 59m R
Thriller
,
Action
6.6
33%
81%
67%
Add to Watchlist
Beneath Anna Poliatova's striking beauty lies a secret that will unleash her indelible strength and skill to become one of the world's most feared government assassins.
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Directed By
Luc Besson
Written By
Luc Besson
Studio
EuropaCorp
,
TF1 Films Production
,
and more
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Rent $3.79
Buy $9.99
+ 7 more
Cast of Anna
Sasha Luss
Anna
Helen Mirren
Olga
Luke Evans
Alex Tchenkov
Cillian Murphy
Lenny Miller
Lera Abova
Maude
Alexander Petrov
Piotr
Nikita Pavlenko
Vlad
Anna Krippa
Nika
Aleksey Maslodudov
Jimmy
Eric Godon
Vassiliev
Ivan Franěk
Mossan
Jean-Baptiste Puech
Samy
Adrian Can
John
Alison Wheeler
Dorothée
Andrew Howard
Oleg
Jan Oliver Schroeder
Frederick
Louise Parker
Sonia
Sasha Beliaeva
Petra
Greta Varlese
Renata
Lauren de Graaf
Inge
Mikhail Safronov
Anna's Father
Maria Luss
Anna's Mother
Sergey Bachurskiy
Moscow Cabbie
Ernest Gromov
KGB Superior Officer
Sergey Zharkov
KGB Sentry
Julia Munrow
Vassiliev's Secretary
Jess Liaudin
Olga's Technicien
Christopher Craig
Piotr's Hostage
Yuriy Zavalnyouk
Moscow Playboy
David Coburn
CIA Chief
James Joint
Miller's Chauffeur
Tonio Descanvelle
Miller's Assistant
Réginal Kudiwu
Blake
Manuel Sinor
Binome Blake
Gérard Graillot
Monceau Waiter
Laurent Ferraro
Mario
Zac Andianas
Mario's Stylist
Aya Yabuuchi
Mario's Make-Up Artist
Mabô Kouyaté
Mario's Assistant
Eric Lampaert
Nato
Fany Le Gac
Nato's Producer
Pauline Hoarau
Nato's Model #1
Noam Frost
Nato's Model #2
Jordan Dwayne
Nato's Assistant
Peter Lamarque
Boxing Photographer
Grace Hancock
Neta
Cansu Tosun
Car Crash Woman
Niccolò Senni
Laboratory Scientist
Scott Thurn
Scope CIA Agent #1
Terrence Amadi
Scope CIA Agent #2
Jean-Marc Montalto
Mansion Photographer
Alexandre Majetniak
KGB Surveillance #1
Toni Hristov
KGB Surveillance #2
Leonid Glushchenko
KGB Surveillance #3
Anthony Weber
DJ Party
Elise Lissague
One Agency Receptionist
Wendy Grenier
One Agency Assistant
Viatcheslav Ardachev
Restaurant Manager
Paul Lefèvre
Restaurant Guest
Alain Figlarz
Restaurant Target
Igor Savochkin
Alex's Sidekick
Kamila Hovorková
Anna - 8 Years Old
Nastya Sten
Anna - Blonde
Colin Bates
CIA Agent (uncredited)
François Girard
Cascadeur (uncredited)
Dmitriy Grinevich
CIA agent (uncredited)
Maxence Huet
Russian Guard (uncredited)
Travis Kerschen
Kirill (uncredited)
Emmanuel Ménard
Diplomat (uncredited)
William Sciortino
KGB Agent (uncredited)
Christophe Tek
The Stylist (uncredited)
Rupert Wynne-James
Man in Car / Man in Shower (uncredited)
Eduard Flerov
Moli
Victoria Cyr
CIA Agent (uncredited)
Anna Reviews
RogerEbert.com
Peter Sobczynski
Even long-standing fans of [Besson's] will find it hard to muster much enthusiasm for this startlingly lazy bit of by-the-numbers hackwork.
Detroit News
Adam Graham
[Besson is] riffing on spy movies and their inherent double crosses and triple crosses, stopping just short of parody but letting the audience in on the trick. And thanks to Besson and a willing cast, the trick's a pretty good one.
indieWire
David Ehrlich
The gunplay in Anna grows repetitive before long, and the heroine's invincibility feels like a cheap substitute for the power that Besson wields over her.
AV Club
Ignatiy Vishnevetsky
But unlike Besson's bugnuts, energetically dopey Scarlett Johansson vehicle Lucy, Anna is more invested in winking at the audience than being fun.
TheWrap
William Bibbiani
Watching Anna brings with it a profound sense of déjà vu. If only anything else about it was profound.
Pajiba
Roxana Hadadi
Luc Besson's Anna subsists by imitating better contemporaries (Atomic Blonde, namely) and wrapping up all of its convoluted plotting and boring sex scenes with a faux-feminist bow.
New York Times
Bilge Ebiri
Over and over, the film proceeds down one narrative path, then jumps back as each twist reveals a new, hidden thread. Besson keeps the story and action clear while deftly slipping in minor details that prove crucial later on.
Variety
Peter Debruge
Besson is the same filmmaker now that he was 20 years ago, and unlike his title character, who lithely adapts to whatever situation she's in, he's been telling roughly the same story over and over all this time. The thing is, he's great at it...
Los Angeles Times
Noel Murray
The film falters when it tries to be an aspirational tale, about a woman tired of being shuffled from one "grey box" to another, and who's exhausted by the piggish fashion photographers and demanding spy-masters who dominate her days.
Hollywood Reporter
John DeFore
This assassin shoots blanks.
Punch Drunk Critics
Travis Hopson
The same as numerous hot chick assassin movies Besson has done in an attempt to recapture what he found with 1990's iconic La Femme Nikita
Common Sense Media
Jeffrey M. Anderson
Writer/director Luc Besson returns with another action movie that prizes swift economy and slick entertainment over depth and meaning, but centers on a powerful, strong leading woman.
We Live Entertainment
Fred Topel
Anna is nothing Luc Besson hasn't done before, but he does what he does well. It's a strong vehicle for Luss to be an action hero, and if you're going to do a tried and true genre, you might as well let Luc Besson go bananas with it.
That Shelf
Joe Lipsett
...the nearly two hour film sinks under the weight of its familiar narrative, its bland leading lady and, in a shockingly ill-advised creative decision, a script that relies on no less than four or five narrative-clarifying flashback time jumps
Movie Nation
Roger Moore
An infuriatingly inferior "La Femme Nikita"
The Beat
Edward Douglas
As empowering as the story might be at times, it's confounding how the movie drags on for long periods of time, taking away from the more entertaining moments.
Cinemalogue
Todd Jorgenson
As it jumps back and forth between settings, the jumbled chronology seems like a manipulative gimmick designed mainly to disguise the lack of intrigue in the plot.
Midwest Film Journal
Nick Rogers
The twists are less risible than in Atomic Blonde or Red Sparrow. But it's what the twists come to stand for that starts to make it feel like Luc Besson is trying to represent himself in court and be his own character witness.
Crooked Marquee
Eric D. Snider
Most of it's bland, formulaic espionage nonsense with Google-translated dialogue, ungainly attempts at comedy, and Besson's leering gaze.
JoBlo's Movie Network
Chris Bumbray
Derivative but still kinda fun.
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