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Clouds of Sils Maria
2014 2h 4m R
Drama
6.7
91%
65%
66%
Play
A film star comes face-to-face with an uncomfortable reflection of herself while starring in a revival of the play that launched her career.
More
Directed By
Olivier Assayas
Written By
Olivier Assayas
Studio
CAB Productions
,
Pallas Film
,
and more
Cast of Clouds of Sils Maria
Juliette Binoche
Maria Enders
Kristen Stewart
Valentine
Chloë Grace Moretz
Jo-Ann Ellis
Lars Eidinger
Klaus Diesterweg
Johnny Flynn
Christopher Giles
Angela Winkler
Rosa Melchior
Hanns Zischler
Henryk Wald
Nora Waldstätten
Actress in Sci-Fi movie
Brady Corbet
Piers Roaldson
Aljoscha Stadelmann
Urs Kobler
Claire Tran
Maria's London assistant
Stuart Manashil
Maria's agent
Péter Farkas
Journalist in Zürich
Ben Posener
Journalist in London
Ricardia Bramley
Talk show host
Luise Berndt
Urs' assistant
Gilles Tschudi
Mayor of Zürich
Benoit Peverelli
Berndt
Caroline De Maigret
Chanel PR
Arnold Gramara
Waldhaus concierge
Sean McDonagh
London theater assistant
Valery Bukreev
Wilhelm Melchior
Katrin Schmidt
Dorothea von Duisburg
Phoebe Lin
Cello player (concert at the Waldhaus)
Katarzyna Nawrotek
Violin player (concert at the Waldhaus)
David Seghezzo
Oboe player (concert at the Waldhaus)
Claire-Anne Piguet
Harpsichord player (concert at the Waldhaus)
Jerry Kwarteng
Journalist (uncredited)
Jakob Köhn
Jo-Ann's Manager (uncredited)
Steffen Mennekes
Journalist (uncredited)
Wilhelm J. Reitzenstein
Paparazzo (uncredited)
Rosa Schrehardt
Kellnerin (uncredited)
Clouds of Sils Maria Reviews
Detroit News
Tom Long
It meditates long and hard on questions of age, sincerity, celebrity and love, piling irony on irony. And it features a remarkably natural performance by Kristen Stewart that's so unastounding it's astounding.
Seattle Times
Moira MacDonald
Binoche, on whom the camera affectionately lingers, makes herself achingly vulnerable. Though the film feels at times a bit cloudy and enigmatic, it's often fascinating in its juxtapositions.
St. Louis Post-Dispatch
Calvin Wilson
Brilliant performances aside, "Clouds of Sils Maria" is overlong and much too self-indulgently an "art film." It might have benefited from being just a bit more grounded.
Dallas Morning News
Chris Vognar
Clouds of Sils Maria is fiendishly wise to the ways of show business, particularly the boxes in which it places women. But the film offers more than that.
ReelViews
James Berardinelli
In the end, there's a sense that director Olivier Assayas is more concerned about making a point than telling a story.
San Diego Reader
Matthew Lickona
The real star turns out to be the play itself: the early masterpiece of a now-deceased writer, a work of such mirrorlike perfection that it reveals entirely different things to different people.
Associated Press
Jocelyn Noveck
It's winding, and it sure takes time and patience, and it's not all that clearly marked. But by the end, you're left with quite a view.
Newsday
John Anderson
Astounding performances by Binoche and Stewart, in a film that keeps the viewer constantly off-balance.
Austin Chronicle
Marjorie Baumgarten
The nuances of the women's interactions are a splendid thing to observe, and the beauty of these layered conversations makes the general absence of women's unmitigated voices in film more keenly felt than ever.
ChrisStuckmann.com
Chris Stuckmann
The big surprise is Stewart, who gives her most grounded performance to date. With her role in this film, she became the first American actress to win a Csar Award.
Bitch Media
Jess Kibler
Both [Kristen Stewart] and Binoche shine in the film; they're electric individually and together.
indieWire
Mallory Andrews
As Valentine and Marie argue over their interpretations of the play, it sparks an ongoing discussion about youth, aging, memory, superstition and fame.
Boston Globe
Ty Burr
A meditation on fame, acting, aging, and acceptance, "Clouds" is a multilayered rapture on the subject of woman, performing. Not only does the film demand repeat viewings, it rewards them.
Washington Post
Stephanie Merry
In addition to the tremendous acting, Assayas's direction has a novel feel, with clever fade-outs reminiscent of theater, which happen just when some bit of action is about to take place. But there are also some curious decisions.
Chicago Tribune
Michael Phillips
The film glides and snakes along its path, a path we have trod before in so many other films and plays. But often it's not where you go but how you go that matters.
San Francisco Chronicle
Mick LaSalle
Stewart's relaxation in front of the camera is something to marvel at. She is always present in the moment and seems unable to fake a scene.
New Yorker
Anthony Lane
One of the film's delights-it is more than a mere in-joke-arises from seeing Kristen Stewart inspecting her own predicament, as it were, from the outside.
Philadelphia Inquirer
Steven Rea
Hugely affecting - and reflective and witty ...
Film Comment Magazine
Michael Sragow
Stewart is here as marvelous as only a natural movie star can be: she's "real" yet heightened, and there's nothing narcissistic about her intensity.
Chicago Sun-Times
Richard Roeper
Stewart's blazing, blunt, pitch-perfect performance in this film serves as a reminder she's actually one of the best actresses of her generation.
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