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The Do-Over
2016 1h 48m PG-13
Action
,
Adventure
,
and more
5.7
9%
42%
57%
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Two down-on-their-luck guys decide to fake their own deaths and start over with new identities, only to find the people they're pretending to be are in even deeper trouble.
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Directed By
Steven Brill
Written By
Kevin Barnett
,
Chris Pappas
Studio
Happy Madison Productions
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Cast of The Do-Over
Adam Sandler
Max Kessler
David Spade
Charlie
Paula Patton
Heather
Kathryn Hahn
Becca
Nick Swardson
Bob
Matt Walsh
Shecky
Renée Taylor
Mrs. Kessler
Sean Astin
Ted-O
Natasha Leggero
Nikki
Luis Guzmán
Jorge the Shooter Boy
Catherine Bell
Dawn
Jackie Sandler
Joan
Michael Chiklis
Carmine
Torsten Voges
The Gymnast
Stan Ellsworth
Dakota
Dan Patrick
Auto Store Lou
Sadie Sandler
Lou's Daughter Sally
Sunny Sandler
Lou's Daughter Daisy
Xander Paradise
Twin #1
Zakk Paradise
Twin #2
Jared Sandler
DJ
Chris Titone
Musty Swamp Bartender
Jonathan Loughran
Grizzly-Looking Biker #1
Kevin Grady
Grizzly-Looking Biker #2
Robert Smigel
Doctor
Dan Bulla
Shooter Boy in Training
Ryder Tardif
Young Max
Samuel Tardif
Young Max
Vanessa Cater
Bathing Beauty #1
Laura Willette
Bathing Beauty #2
Martha B. Knighton
Kitty Litter Customer
Mike Benitez
Puerto Rican Banker
José Nogueras
Puerto Rican Guitarist
Timothy Douglas Perez
Grunge The Tattoo Artist
Sharon Gee
Save & Pay Customer
Michael 'Red Bone' Alcott
Reunion Buddy
Sheila Cochran
Hospital Screamer
Karina Bonnefil
Bobbi Sue-Cashier (uncredited)
Teo Ciltia
Reunion Guest (uncredited)
Omar Cruz Soto
Beachgoer / Surfer (uncredited)
Anthony Bryant
Reunion Attendee (uncredited)
Rich Lane Disco
Bank Manager (uncredited)
Ramiro 'Ramir' Delgado Ruiz
Bank Employee (uncredited)
Ayana Johnson
Reunion Attendant (uncredited)
The Do-Over Reviews
RogerEbert.com
Brian Tallerico
A film that gets markedly dumber with every passing minute.
AV Club
Jesse Hassenger
The '90s version of The Do-Over would have paired a snarky, cowardly Spade with a goofball weirdo Sandler. Now they're just two more bros-before-hos.
The Hollywood Outsider
Aaron Peterson
The Do-Over is a throwback to classic Adam Sandler films and, while ridiculous, is still a fun ride.
indieWire
David Ehrlich
For years, we've been asking Adam Sandler to try harder. We've been making a huge mistake.
ChristyLemire.com
Christy Lemire
Typical Adam Sandler fare in every way, from the raunchy humor to the inclusion of his buddies to the deplorable view of women to the vacation disguised as a movie shoot to the forced sentimentality in the final act.
Entertainment Weekly
Christian Holub
The plot threads can be a little hard to follow ... but Sandler and Spade's partnership gives the whole enterprise enough emotional grounding to make up for it.
The Playlist
Will Ashton
Just as predictably mind-numbing and tedious as any other comedy Sandler has attached his name to post-Funny People.
We Got This Covered
Matt Donato
The nicest thing I can say about The Do-Over is that you won't hate it, you'll just forget it mere hours after the credits roll.
Movie Nation
Roger Moore
"Grown-Ups" with guns. And even fewer laughs, as if that's possible.
MLive.com
John Serba
Brain-dead, hopeless, annoying, pestilential crap.
Reel Film Reviews
David Nusair
It's perhaps not surprising to note that The Do-Over comes of as a terrible and often interminable piece of work...
Examiner.com
Travis Hopson
"The Do-Over" is Sandler doing literally anything he wants whether it makes sense or not.
Common Sense Media
Renee Schonfeld
Sandler tale has gory violence, sex, and nonstop profanity.
The Ringer
K. Austin Collins
The Do-Over, Adam Sandler's second Netflix film, is what happens when a successful artist is given lots of money and very little direction.
Movie Bitches
Avaryl Halley
I'm not even outraged anymore by these movies. I'm just like, "why?"
Movie Bitches
Andrew Galdi
A total skip-worthy event.
Blu-ray.com
Brian Orndorf
"The Do-Over" isn't without laughs, but bewilderment and fatigue are likely going to be the dominant reactions after a viewing.
Consequence
Collin Brennan
A central plot device in the film is a key that's been stuffed up a corpse's rectum, and that's a decent metaphor for Sandler's Netflix-era output: Sure, it stinks, but it still fits somewhere.
Cinemixtape
J. Olson
The comedic equivalent of being whomped in the face with a pillowcase full of nickels.
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